C218 Fenton ORANGE TREE Marigold Carnival Glass Standard Mug (2½" base)

Description

Lovely Dark Marigold Carnival Glass 3¾” ORANGE TREE Standard Mug with 2½” base by Fenton, in excellent undamaged antique condition.
FENTON ART GLASS COMPANY
1905 – 2011
ANTIQUE CARNIVAL ERA GLASS
1907 – late 1930s
Antique Fenton Carnival Glass has no trademark of any kind.
Frank and John Fenton
(John later founded Millersburg Glass Co.) introduced America to inexpensive iridized glassware in 1907. Their innovative process, described below, made what we now call “Carnival Glass” a hit then and a valuable collectible today. Nearly 150 patterns in Carnival Glass are credited to the Fenton Art Glass Company.
Lovely Dark Marigold Carnival Glass 3¾” ORANGE TREE Standard Mug with 2½” base by Fenton, in excellent undamaged antique condition.
CARNIVAL GLASS
is what we now call IRIDIZED patterned pressed glass introduced by the Fenton Art Glass Company in 1907, and produced by numerous glass makers through the 1930s. Bowls, plates, water sets (pitcher with tumblers), dresser sets (powder box, tray, pin tray, hat pin holder, cologne/perfume), table sets (sugar, creamer, butter, spooner), vases and specialty pieces were given a vivid and colorful appearance by a microscopically thin coating of metal applied as a solution of one or more metallic salts (stannous chloride [tin], iron chloride, lead chloride, et. al.) by hand-spraying the hot-from-the-mold glass. The carrying solution vaporized leaving the metallic salts to bond on a molecular level with the glass, producing a surface that reflected light in a rainbow of colors. Each salt or combination of salts produced a different color, with intensity tied to the thickness of the coating.
EXCELLENT UNDAMAGED ANTIQUE CONDITION
means that while a
listed
item has no post-production damage such as chips or cracks,
it may have discernible minor wear from usage and/or nesting (stacking)
and, since
production conditions
in the early 1900s were dirty and dangerous and there was no “Quality Control” as we now know it, any number of the following production issues:
Air bubbles
in the glass that were not squeezed out during pressing.
Heat checks
which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
Inclusions
in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
Strands
of undissolved colorant (usually in green glass).
Straw marks
which are lines
in the glass caused by premature solidification where the molten glass was
snipped from the gathering rod with cool metal shears when the mould was full; lines also formed on the surface during the cooling process.
Tool marks
from implements used to form the edge or influence the shape.
Mold issues
related to filling and release such as incomplete or malformed edges,
rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
Cooling issues
such as
uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues in the extreme may be undesirable, but they do not qualify as “damage” and will be found to some degree on nearly all antique glassware. Issues of MAJOR wear and production flaws will be mentioned and photographed; please check photos carefully as they are a part of the description.
Combined Shipping
is offered for both domestic and international shipments.
All items are bubble wrapped. No tape is used on the bubble wrap (YAY!). Carton voids are filled with cushioning peanuts. Cartons are labeled GLASS or FRAGILE, and
shipped in one business day or, if I’m away, ASAP upon my return.
All shipments are insured. International shipments will travel via USPS Priority Mail International for insurance and tracking purposes. The declared customs value may include the shipping charge depending on your country’s import policies.
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